Tuesday, September 29, 2015

Drake is Tony Montana, Future is also Tony Montana - "Me and My Friends" talk "WATTBA" (Part 2)

Author's Note - this is not an "out of 10 review"  because everyone does that now.  Part 1 of the conversation can be found here.

Metro Boomin, Manu Ginobili, Chicken Wings.  Yes.


"Digital Dash" - prod. by Metro Boomin, Southside

Chris Little:  Future Floated, Drake was cool, production was fire.
Cameron Hawkins:  Yeah, the production was crazy
Miles Burton:  Metro Boomin really letting people know he's still here!  Future tap danced all over that damn song man, that shit really make me wanna be fake kinda drunk in the bar dabbing, or hitting that DJ Esco.  Also, Drake is on the song too.  Cool.  Metro Boomin is important.  I like that Young Drizzy threw a tiny jab at the (Dream) chasers in it though.  "I might take Quentin (Miller) to follies."  That's a massage spot in Philly.
CH:  "You hate your life just be honest!"
MB: "Massage" in air quotes.

"Big Rings" - prod. by Metro Boomin

CL:  That chorus is STOOOPID.  The Future shot was on there.
CH:  "You just a battle rapper"
CL: "You just a battle rapper/ I'm an official Trapper!"
MB:  "Big Rings" is the second best song on the tape.  'Nuff said."
CH:  I think the production is great, again.

"Live From the Gutter"- prod. by Boi-1da, Metro Boomin

CL:  I didn't like this song.  Production was smooth though.
CH:  I don't like it's placement.
MB:  Future danced all over this once again.  This shit make me want to mask up and go get them niggas.  However, I don't have any beefs or even know who "them niggas" is.  Also, I live in South Texas.  Too hot for masks man.
CL:  Should have been in the middle, or close to the end.
CH:  It's solid, but Drake being live from anyone's gutter is laughable any time.
MB:  It does break the hype music transistion; it shouldn't have been right after "Big Rings".
CL:  "Gotta kill witnesses cause Miles' beard sticking out" *Hov voice*
MB:  Drake probably picked up Sean from the gutter when they were getting closer before Ashley was rolling at a party and kissed Sean.  Remember, they were getting back cool and Spinner was jealous? Word to Degrassi Street.
CL:  (texts 5 yelling face emojis)

"Diamonds Dancing" - prod. by Metro boomin, Allen Ritter, Frank Dukes, Mikey Rodrigues

CL:  No need to ask about #4 Cameron Hawkins.
MB:  Yeah Cam, skip that.  I can't be too hype at work right now.  If it's not the best song of 2015 TO ME, it's a close second.
CH:  Lol go to!
CL:  "Scholarship" is fire
(I post a screenshot of "Diamonds Dancing" in the group)
CL:  DAMNIT CAM I TRIED TO SKIP IT (3 yelling face emojis)
MB:  Metro Boomin is very important.
CH:  So, ok.
CL:  Future set the tone off right.
MB:  VERY IMPORTANT
CH:  Future FLOATED
MB:  Now I have to listen to the whole song twice
CH:  And really.  REALLY?  Drake had an outro that lasted 3 minutes.  Being apex selfish hurt Drake.  Being "Perfect Cell" Drake.
CL:  I appreciate hurt Drake.
MB:  "YOU KNOOOOW/WHAT I NEED/FROM YOOOU, WHEN I GET HOOOME!!!/ YOU BETTER NOT BE ON THE PHONE/ TALKIN' UP A STORM LIKE YOU USUALLY DO/ TALKIN' TO YOUR FRIENDS LIKE YOU USUALLY DO/ TELLIN' THEM I NEVER SPEND TIME WITH YOU/ IT'S HARD TO FIND THE TIME, WE BEEN/ Sippin' on Dom Perignon for no reason... Poppin tags, upper echelon for no reason...
CH:  Being "how can your life be worth living if I'm not in it" Drake.  Oh, Chris, it's him at his best.
CL:  He makes singing to these women great.  Perfect description Cameron Hawkins.
CH:  Like, if "Hotline Blng was on Cinemax instead of TBS, it would be "Diamonds Dancing".
MB:  Cam, don't disrespect.  No shde to my youngin, but "Hotline Bling" is so fucking terrible.
CH:  It's forgiveable... "(Diamonds Dancing) is... He went full James Caan in "Casino" on that.

"Scholarships" - prod. by Metro Boomin

CL:  "I rock Kentucky Blue, on these heauxs"
CH:  So here - why not just put this on the tape twice and toss "Live From the Gutter" in the waste bin????  And the flexibility - THEY CAN SAY THE SAME HOOK AND BOTH KILL IT MAN.  "Metro Boom make it BOOM, on these heauxs!"

"Plastic Bag" - prod. by Neenyo

MB:  really the worst song.
CH:  My thing - I know it's not for ME.
CL:  It's trash.
CH:  Cuz strip clubs don't make sense to me.
MB:  Cam, it might be because I don't like the shake joint.

"I'm the Plug" - prod. by Southside

MB:  REALLY I'M THE PLUG!!!
CH: So like, this is the Drake I want rapping.
CL:  Drake's verse on this song was great.
CH:  Big Sean supa dupa flow drake.  What beat is is a riff of?  Off DS2?

"Change Locations" - prod. by Noel

(name excluded):  I don't have enough money to fully appreciate "Change Locations"  but i like the song a lot, EXCEPT how high and nasal Drake's voice is during the "Me and my friends" part.  "SIXTY naked bitches no exaggeration"?!  Nigga, I've only had two a couple times.  This nigga had thirty times more bitches than me at one time, no exaggeration.
CH:  Buying bottles still silly though.

"Jumpman" - prod. by Metro Boomin

MB:  the second best song if we're in the club.  Second or third worst outside the club.

"Jersey" - prod. by Metro Boomin, Southside

CH:  AGAIN - just put this on twice and get "Live from the Gutter" outta here
MB:  Future really making wonderful music.  "Extendo Extendo Extendo, the (clip) gotta hold like thirty!... YOU DO WHAT YOU WANT WHEN YOU POPPIN'!"
CH:  This really could have been on "DS2".

"30 for 30 Freestyle" - prod. by 40

CH:  Uh... Did Drake really say there's a conspiracy to get him out the paint?
MB: He really said that.  By the old niggas though, not his peers.  I don't think it's true, but he was fucking rapping on that shit.







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